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SHAZZA McKENZIE’S AMERICAN DREAM

Wrestling In The Land Of Independence

From Sydney to St. Louis, Shazza McKenzie left behind a good life in her native Australia in the pursuit of true happiness.

TEXT BY KEVIN McELVANEY | PHOTOGRAPHY BY SAMANTHA CRIM

IT WAS MEANT TO BE “one last hurrah.” So says Shazza McKenzie of her 2022 tour of the American indie circuit, which was chronicled in the two-part IWTV docuseries, Shazza Takes America.

The popular Aussie grappler—a former Heart of SHIMMER champion and longtime fixture of PWI’s women’s rankings—wanted to make up for lost time. After all, pandemic-era travel restrictions had kept her from wrestling abroad for the better part of three years. But that ambitious slate of bookings across the States, exhausting and exhilarating in near-equal measure, would be no farewell tour. Instead, those post-COVID shows strengthened McKenzie’s devotion to professional wrestling … and completely changed her life.

“If anything, the pandemic gave me more time,” McKenzie says. “Because all the nagging injuries that I’d had for years, that I had just been ignoring and working through, finally got some rest. Once I did a few matches and my confidence came back, I was like, Oh, no, I’ve got years left in me. Like, Age is just a number, b—es! We’re f— going!”

Shazza vs. Lady Bird, photo by Samantha Crim
McKenzie applies a chinlock to Lady Bird during a May 2023 event for St. Louis-based Glory Pro.

By the time her return flight landed in Australia, McKenzie had arrived at a profound realization. Tired of chasing a TV contract with a major promotion (and sick of basing her self-worth on that pursuit), the Sydney native also understood that her home country’s excellent grappling scene could only ever be a part-time gig. “At that time, I was 33 years old,” recalls McKenzie, now 35. “And I was like, I guess I’m 33, and it’s time to have babies, move on, and be a boring, little old lady. And then, I did the U.S. trip.”

From that point, Shazza McKenzie understood she could only be truly happy while making her living as a professional wrestler on her terms. And, to do that, she needed to move to America.

McKenzie made massive personal sacrifices, leaving behind her home, family, and even her marriage—the latter of which, she understood, couldn’t survive the gamble of being an unsigned wrestler in the States. “The goal for my entire career was always to live in America, but it was always under the understanding that we’d move to America if I got signed,” she told PWI. “Asking someone to follow you to another country because you’ve got your dream job and you’re making hundreds of thousands of dollars is very different to asking someone to give up their life and what they’ve worked on in their professional career to follow you over here so you can wrestle in front of a couple hundred people every weekend.”

Shazza McKenzie trains with Jake Parnell (Photo by Samantha Crim)
Shazza McKenzie practices a Muta Lock on sparring partner Jake Parnell (WARHORSE) at the Forge in St. Louis.

Though a bold move on the surface, McKenzie’s emigration was perhaps less surprising to those closest to her. Consider her parents, who, though supportive of her wrestling aspirations, were disappointed when she dropped out of high school to pursue them. “I said, ‘Mom, Dad, I’m going be a professional wrestler. I don’t need to go to school.’ And they said, ‘I think you do!’” McKenzie recalls. “But they never tried to stop me. Whenever I do something, they’re like, ‘Well, we can’t stop you. We know you’re just going to do whatever it is that you want to do.’ Trust me, I’ve made plenty of really dumb mistakes. I’m just going to do them, though, because I need to learn my lesson for myself.”

Lest anyone get the idea that Shazza McKenzie is flighty or capricious, her passion and ambition are supported by an incredible work ethic. Taking inspiration and advice from a fellow veteran wrestler, Canada’s LuFisto, McKenzie navigated the labyrinthine, costly process that comes with pursuing a working wrestler’s visa without the support of a major promotion. “It was a process that I started in June ’22, and then I got my visa in March ’23,” said McKenzie. “And that would’ve taken longer. Luckily, I had some OnlyFans money and I paid for some expedited service. I knew if I could suffice the money, I didn’t want to wait longer than I had to.”

A savvy businesswoman, who had previously managed a gym back in Australia, McKenzie has cultivated a strong brand as a professional wrestler— particularly through X (formerly Twitter) and other social media sites, which she admits to frequenting during downtime at her previous job. Like many other women wrestlers, she has sold 8×10 photos of herself alongside t-shirts at merch tables. Websites such as OnlyFans, BrandArmy, and Patreon have helped McKenzie stay afloat financially, while also keeping her in touch with fans from all over the globe. That’s something she doesn’t take for granted.

“People can s— on OnlyFans all they want to, whatever,” said McKenzie. “It gave my fans a way of supporting me. To me, it was the equivalent of doing a GoFundMe, but I was able to give something in return.”

Less than a year after her pivotal Shazza Takes America tour, McKenzie flew 14,500 kilometers (9,000 miles) from Sydney, New South Wales, to begin a new life in St. Louis, Missouri. “It was stressful and scary,” she admitted. “It’s really scary to give up your entire life … especially in your mid-30s as a female. Because society has told us that we’re worthless once that 3-0 happens. In all aspects of life, society tries to tell us that there’s nothing for us once we’re over 30.”

Shazza McKenzie lifts weights (Photo by Samantha Crim)
“It’s really scary to give up your entire life … especially in your mid-30s as a female.”

Yet, as is often the case with seasoned wrestlers, McKenzie is only now reaching her peak. “I’m passionate about wrestling. You go to training, and you get really good at doing all these drills and all your fundamentals … but there’s this other part of wrestling that you can only learn from wrestling regularly in front of a crowd,” she said, during a recent Zoom call with PWI. “And I think that’s maybe why I’m so attached to wrestling in America. Because I’ve been training in wrestling for 15-16 years at this point, but the amount that I grow as a performer in three months in America would be the equivalent of about a year in Australia. You’re thrust into these situations, and you just have to figure it out. There’s no time to panic: Just figure it out.”

With more than 500 matches on her CV, Shazza McKenzie has synthesized the lessons of those months and years spent in the ring. She exudes confidence and personality because she is doing what she has always wanted.

Of course, there are still challenges. She needed to learn to drive on American roads—and, just days before this story was written, her car broke down on one in Iowa—while adjusting to the Midwestern weather, which is far less mild than what she’d grown used to in Sydney.

“The reality is that it’s a very hard country to live in,” said McKenzie. “Even if you are an American citizen, every single step of the way, every little thing that you want to do, this government makes it hard. Like, it shouldn’t cost you your entire life if you get sick. But when it comes to being the land of opportunity … it is.”

McKenzie noted that in Australia, driving from one major city to the next takes a good 10 to 12 hours. While the wrestling on offer is excellent, most promotions run shows once a month (if that). In the U.S., she finds weekly bookings from coast to coast and is continually growing her fanbase.

Though it’s not exactly the superstardom she envisioned when she first visited America in 2008, attending WrestleMania 24 with her mom and brother, McKenzie doesn’t dwell on what might’ve been. “I’m completely okay with my role in professional wrestling because I enjoy what I do,” she said. “I enjoy independent wrestling. I enjoy the freedom of it. I enjoy the creativeness of it. I even enjoy the s— travel sometimes. I enjoy the completely different people that you meet along the way.”

While she’s worked matches for WWE and AEW in the past—and isn’t opposed to inking a full-time deal somewhere— this independent contractor has made a conscious decision to focus on what is ahead of her. “I spent years trying to get signed, and I was miserable. I was starving myself, I was trying to look a certain way, it was expensive,” said McKenzie. “Being a girl’s expensive enough. Trying to be a diva is 20 times more expensive. It wasn’t fun, and it wasn’t for me. That’s not who I am as a person. And it’s not that I wouldn’t say yes to a job or whatever, I just know that I’m happy doing what I’m doing.”

Since moving to the States, McKenzie has brought her personal brand of “#HEARTBREAKcore” to quite a few of them, competing in California, Colorado, Georgia, Illinois, Iowa, Michigan, Missouri, Tennessee, Wisconsin … and the list continues to build.

It’s a busy life, between making towns, staying in ring shape, engaging with fans, and tending to her current, happily committed relationship. She misses her family and her circle of friends back in Australia—including notable wrestlers Charli Evans, Jessica Troy, and Madison Eagles. But if you ask McKenzie, she’s living the American wrestling dream. “We’re wrestling around, fake fighting in silly spandex outfits, and it is supposed to be fun,” she says. “We drive for hours, we get on 5 a.m. planes, throw our bodies into the ground … and, like, not for an obscene amount of money or anything. So, don’t do it if you’re miserable. You’re supposed to have fun, make some money. As long as everyone is safe and not hurt, it is not that serious.”

And it is this kind of attitude—coupled with an indefatigable charm, athletic ability, and unmistakable passion—that has brought Shazza McKenzie to this point. “Every day as a professional wrestler in America is completely different. Every show is different, every match is different, every crowd is different,” McKenzie says. “It changes so, so astronomically, show to show, day to day.

“It’s so much more fun if you’re just enjoying the journey. Because once I stopped worrying about the destination— other than the destination being America, so that I could wrestle regularly—it was so much more fun.” [ ]


BONUS PHOTO GALLERY [Photos shot by Samantha Crim expressly for Pro Wrestling Illustrated. Please use only with permission and proper credit.]

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PROGRESS Philadelphia: Simon Miller Set For Multi-Man Match

The Popular YouTube Host, Wrestler, & Actor Will Face Multiple Opponents At PROGRESS Wrestling’s FREEDOM WALKS AGAIN event.

Pro Wrestling Illustrated can confirm, exclusively, that Simon Miller is the first announced participant for the Multi-Man bout taking place at PROGRESS Wrestling’s upcoming FREEDOM WALKS AGAIN show in Philadelphia, PA, on Friday, April 5, 2024.

Known to many for his work as a host for outlets such as Whatculture, along with his emceeing for PROGRESS itself, the charismatic Miller is still fighting tirelessly to prove his mettle as an in-ring performer. To that end, he is ready to take on all comers at the BritWres institution’s first U.S. event since 2019.

“I’m super excited about PROGRESS returning to the US for what will be the first of many shows Stateside and feel privileged to be part of it all,” Miller told PWI. “As for FREEDOM WALKS AGAIN, the way I see it is simple. I’m part of the multi-man scramble match, which just means there’s more than one person for me to beat.”

Of course, the calamitous environs of a multi-person contest won’t make things easy for Miller. “It also means there’s more people who can try and beat me,” he admitted. “But I’ve decided to ignore that part … Positive mental attitude!”

PROGRESS co-owner Martyn Best, who, along with Lee McAteer, took charge of the PROGRESS brand in late-2021, further elaborated on the distinct uphill that Miller faces in the Multi-Man Match. “Your great President Theodore Roosevelt wrote stirring words about the difference between a critic and the man who is in the arena, whose face is marred by dust and sweat and blood,” Best wrote. “Simon Miller has been the PROGRESS main ring host for two years, and was so much more than a critic, but his ever-improving transition to one who strives valiantly will be seen to great effect in Philadelphia. I am sure he will take the great Rocky tradition, and in his intriguing Multi-Man Match, if he fails, at least he will fail while daring greatly.”

With the rest of the Multi-Man Match participants yet to be announced, fans will soon know the steepness of the hill (or Art Museum steps) Miller must climb. The card, which takes place in South Philadelphia as part of GCW’s Collective series, is set to include defenses of the PROGRESS Women’s and tag team championships, currently held by Rhio and the Cheeky Little Buggers (Alexxis Falcon & Charles Crowley), respectively.

More information on the event can be found here.

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Mariah May Reflects On Japan, Club Venus, Her Goals

Rose Gold (Mina Shirakawa & Mariah May) celebrate with their signature hands-making-a-heart pose, the Goddesses of Stardom title belts, and the corresponding championship trophy

The following is taken from the March 2024 edition of Pro Wrestling Illustrated magazine, which hits newsstands in the U.S. and Canada on December 12, 2023. Before it was officially announced that Mariah May was “All Elite,” the latest addition to the AEW Women’s division took some time out of her schedule to chat with PWI.


A QUICK WORD WITH …
MARIAH MAY

TEXT BY KEVIN McELVANEY
PHOTOS BY OCTOPUS STRETCH PHOTOGRAPHY

ON DECEMBER 29, 2022, at Stardom Dream Queendom 2, Cosmic Angels expat Mina Shirakawa introduced the world to Club Venus. Originally consisting of Shirakawa, Xia Brookside, and Mariah May, the glamorous group made its debut in the inaugural Triangle Derby trios tournament. With a membership that swelled to include Australian grappler Xena, former NXT talent Jessie (Elaban/Kamea), and another ex-Cosmic Angel in Waka Tsukiyama, Club Venus quickly became a favorite of international Stardom fans. And that was due in no small part to the efforts of one of its charter members.

Fashionable, charismatic, and athletic, Mariah May had all the makings of a top star. May put in the hard work from the very start of her Japanese excursion, developing a notable chemistry with partners and opponents alike. Stardom’s competitive touring environs compelled the Tottenham, England-born wrestler to develop in-ring skills to rival those of her peers. And, in a massive vote of confidence, May was given the name “Foreign Ace” by no less than Stardom Executive Producer Rossy Ogawa.

Mariah May makes her way to the ring wearing a flowing pink gown and the Goddesses of Stardom tag team championship belt
“FOREIGN ACE” MARIAH MAY

With Shirakawa, May formed the impressive tag team Rose Gold, which reigned as Goddesses of Stardom champions for six weeks last summer. Her performances with the Club Venus unit and in the 5STAR Grand Prix round robin tourney grabbed the attention of promoters worldwide. Indeed, after her Stardom contract expired in the fall, rumors circulated that May had inked a contract with All Elite Wrestling in the U.S. [a rumor that was later confirmed by her appearance on the November 8, 2023 edition of AEW Dynamite]

In mid-October, during a well-earned period of downtime, Mariah May checked in from her home country to chat with PWI Editor-in-Chief Kevin McElvaney about what she’s learned from her nine-month stint in Japan, the current U.K. grappling scene, and what she might be up to in the future.

McELVANEY: Your Stardom run has put you in the brightest spotlight of your career and earned you the moniker “Foreign Ace.” Why do you think you connected so well with the fans of that promotion?

MAY: I believe the reason I connected so well with the fans is because I love Stardom as much as they do. I’ve always held the belief the best training and performance for women’s wrestling is found in Japan. I think my passion, improvement, and dedication in moving across the world gave me their respect (and Ogawa-san’s when he named me the “Foreign Ace”). I know a lot of fans were happy to see how much fun I was having, too. I want my work to tell stories and make people feel something, and Stardom afforded me so many chances to do that.

Rose Gold (Mina Shirakawa & Mariah May) celebrate with their signature hands-making-a-heart pose, the Goddesses of Stardom title belts, and the corresponding championship trophy
Mariah May holds out hope for a reunion with Rose Gold partner Mina Shirakawa, with whom she held the Goddesses of Stardom championship.

McELVANEY: What did your 2023 excursion to Japan teach you? How did your craft improve?

MAY: My excursion in Japan taught me how important it is to take risks. Within a few days of being in Japan, I was offered to extend my tour, and I said I would stay there as long as they would have me. That chance and sacrifice allowed me nine months of dojo training, training at the Snakepit, touring a beautiful country, and more matches than any other woman up until I left! The repetition and grind helped me perfect my moveset, build chemistry—especially an amazing feeling when you don’t speak the same language. And being with Mina meant I had a mentor by my side who could give me advice. This is a chance for us girls to make our mark on history and prove ourselves.

McELVANEY: Speaking of Mina Shirakawa, Rose Gold was quite the successful duo. Do you think we could see the team get back together sometime in the future?

MAY: Mina Shirakawa and I have such a special bond. She’s the reason I finally got to wrestle in Japan. We said we wanted to wrestle teams all over the world. I’m hopeful we can reunite and do just that!

A close-up photo of Risa Sera, who is all smiles despite her face and white ring gear being caked in blood
A more surprising item on May’s wishlist: facing Prominence’s Risa Sera (pictured, bleeding profusely) in a deathmatch.

McELVANEY: I’d imagine one of the reasons you returned to England was to spend time with your loved ones. Do you have your eye on the current scene there? It seems to have evolved, with new stars in the making, even in the short time you’ve been away.

MAY: It’s definitely been nice to be home and spend some time with my family. I have my sights set on wrestling internationally. I have so many places I want to wrestle. I won four championships in the U.K. I feel for the moment my time here is done and the next girls should come through! I’d love to wrestle on a big stage in front of my family in the U.K., though. Maybe one day!

A smiling Mariah May celebrates her win holding the Goddesses of Stardom title belt and trophy
With some reports suggesting she is headed for AEW [later confirmed], the “Foreign Ace” tells PWI she is still considering her options. Look for her to do quite a bit of travel in the future (and compete against some of the planet’s top talent).

McELVANEY: You’ve been accumulating more and more fans in North America, particularly here in the States. Anybody in particular you’d like to get in the ring with on this side of the pond?

MAY: It’s been incredible and humbling to have so much support worldwide, particularly North America has always been very vocal for me. There’s such a deep pool of talent in America. And I’ve only toured there once, so I have a pretty long list. I want to do intergender (matches) … there’s an open challenge!

McELVANEY: What’s next for Mariah May?

MAY: I am still deciding my next move. I love Japan, and I want to have a deathmatch there. (Risa Sera, if you’re reading this …) I also have a strong desire to travel more, as before Japan I had visited 5 countries in one year! There’s lots of opportunity and it’s really exciting.

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What’s Old #AndNEW Again

Mystery Pack #1: Classics

Introducing: Vintage Wrestling Magazine Packs

THREE YEARS INTO my tenure as PWI Editor-in-Chief, I continue to be amazed by the depth and breadth of the archives around Pro Wrestling Illustrated magazine and its sister publications.

The former London Publishing empire once adorned newsstands with numerous wrestling titles. Well before the 1979 debut of PWI, Stanley Weston’s team of journalists and photographers was responsible for numerous other titles. Most notably, these included Inside Wrestling and The Wrestler, which survived until about a decade ago as a two-in-one publication. Other former mags included the somewhat-sensationalist Sports Review Wrestling, the bold Wrestling Superstars, and the patriotic Wrestle America.

Over the last three years, I’ve frequently been asked whether any of these titles might ever be resurrected. My answer has always been this: If the demand is there, we will do our best to rise to meet it.

Wrestling Superstars, 1990s Turnbuckle Turkey Awards

For those among the PWI readership in search of the nostalgic rush of those fallen sister publications, I have some very exciting news: We’re now able to offer vintage mystery bundle packs from our archives!

Just recently, our fulfillment center uncovered a treasure trove of back issues from the London Publishing archives, with boxes full of well-preserved, unread magazines from the late-1970s through the early-2000s. Most of these publications fall under those aforementioned former titles, which we would call “sister publications” to PWI. Among them are Inside Wrestling, The Wrestler, and Sports Review Wrestling … there are even some immaculately kept PWI Almanac editions in the mix! In all cases, these are long, long out-of-print issues, many of which have been widely coveted by collectors on internet auction sites.

Inside Wrestling copies inside storage box
CAN YOU BELIEVE IT?!

Of course, the last thing I wanted was for these books and magazines to sit in storage for any longer. Once the most recent issue of PWI was sent off to our printing plant, I canceled all my other plans and made the drive to our fulfillment center to take stock (literally and figuratively) of what was unearthed.

Carefully, I packed my car full of various titles of vintage pro wrestling magazines, and returned to the PWI offices, where I promptly organized and cataloged these precious tomes. Some will be added to our magazine archives for posterity and safekeeping. And yes, it is likely that many of these magazines will be digitized in the not-so-distant future. But the rest? Well …

Rather than start a bidding war over these classic wrestling mags, we figured the most democratic thing to do would be to offer them as part of the aforementioned mystery bundles. Yes, we are selling these for a bit more $$ than some of our more contemporary magazine bundle packs. However, we feel the contents more than justify the slightly higher price. Each mystery pack will be lovingly crafted, packed, and mailed out from the PWI offices, shipped by USPS Priority Mail to those who order them (tracking info available upon request). Dare we say … this is a wrestling mag collector’s dream?!

Don’t miss out on this incredible opportunity to own some amazing artifacts of yesteryear, presented in their original (sometimes wild and controversial) glory. Click on any of the bundles below to claim your piece(s) of wrestling history.

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Stardom’s Hazuki Talks “Tag Team 100,” WWE Divas, More

Hazuki vs. Mayu Iwatani

DESPITE HER YOUNG age (and two years missed due to early retirement), Stardom mainstay Hazuki has already created a glowing reputation amongst pro wrestling fans in all parts of the globe.

After returning to the ring and teaming with fellow Stardom vet Koguma to win the 2021 Goddesses of Stardom tag league tournament, this talented grappler out of Fukuoka, Japan, re-established herself as something of a tag team specialist. At the same time, the 25-year-old Hazuki remains a formidable challenger to any singles gold, memorably challenging Mercedes Mone for the IWGP Women’s title in a triple-threat at NJPW’s Sakura Genesis 2023.

Earlier this year, Hazuki was kind enough to answer some of our questions in writing via a translator. The exchange is included here.

FWC with partner Saya Iida ahead of a Stardom Triangle Derby match
PHOTO BY ISSA MARIE

PWI: Together with Koguma, you ranked #5 in the 2022 PWI “Tag Team” 100 list. How do you feel about FWC’s success and progress as a duo over that period?

HZK: I was extremely happy that FWC was ranked 5th in the world rankings, and I was even happier that we were ranked 1st amongst women. If we hadn’t made a comeback from our retirements, we wouldn’t have been in this ranking, so I’m really glad we made a comeback. FWC’s tag work is unmatched by any tag team, and it’s become our goal to aim even higher in the future.

PWI: Is your preparation for a big tag team bout different than for a singles match? If yes, how so?

HZK: Tag teams can make up for what each individual can’t do and help each other. When it comes to singles, it’s a battle of individual strength, so it’s different.

But, during the 5☆STAR Grand Prix tournament in 2022, I think everyone was able to see Hazuki’s individual strengths, and, because of that, I was able to think about how FWC should be as a tag team.

PWI: Do you have any interest in facing teams outside of Japan, perhaps from WWE, AEW, or IMPACT Wrestling?

HZK: I always want to fight with various tag teams. It’s difficult to make these matches, but I want to compete with various people around the world and see how good our tag team is.

As our tag name [Fukuoka Double Crazy] suggests, we are a crazy tag team in many ways, so we want to absorb various things from working with other tag teams and want fans to know more about our crazy nature.

PWI: You grew up a fan of WWE wrestlers Kelly Kelly and Nikki Bella. Do you think the so-called “Divas” era gets a bad rap, compared to the harder-hitting style we see in Japan or even WWE today?

HZK: Japanese pro wrestling and the Divas Era have different fighting styles, but I’m glad I fell in love with WWE and fell in love with the Divas division. Without it, I wouldn’t be who I am today.

Professional wrestling is interesting because there are various fighting styles, and, when I became a pro wrestler, I realized that even more.

Hazuki attempts to submit Momo Kohgo in trios action
PHOTO BY ISSA MARIE

PWI: While growing up and watching WWE, did you watch any WrestleMania shows/matches? If so, please share with us some of your favorites and what you most enjoyed about them.

HZK: I have been to see WWE Live Events in Japan. At that time, I was in the back rows at Ryogoku Kokugikan, so it was far from the ring. But I had made a John Cena sign and waved it around when he made his entrance.

When I was watching it on TV, I was interested in CM Punk and Randy Orton, and trying to adopt some of their styles to my own.

Hazuki vs. Mayu Iwatani
PHOTO BY ISSA MARIE

PWI: What do you think it is about these events, such as WrestleMania, Wrestle Kingdom, and Stardom Dream Queendom, that leaves fans with such lasting memories?

HZK: Professional wrestling is a job that lets us live our dreams. And so, we want to have an atmosphere that will make you excited, just by our entrances, before the match even starts. And we hope those emotions make your day better.

When I saw WWE live, even though they were professional wrestlers just like me, their auras were different, and I almost cried feeling like I was a fan again.

Now, it’s my turn to stand in the ring, so I’ll do my best every day to impress the fans and give them hope and courage.

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JUNE 2022 ALTERNATE COVER #1: The Hex

JUNE 2022 ALTERNATE COVER #1: THE HEX

The Hex (PWI June 2022 Alternate Cover)
Alternate Cover #1: June 2022 PWI

The National Wrestling Alliance (NWA) figures prominently into the June 2022 issue of Pro Wrestling Illustrated—on newsstands nows—with a feature story on reigning NWA World champion Matt Cardona and a special “12 Questions” feature with NWA World Women’s champions The Hex (Allysin Kay & Marti Belle). The magazine, which features former Raw Women’s champ Becky Lynch on the cover, also includes interviews with stars from WWE, AEW, and the independent circuit.

As you’ll note from the photo above, we’ve opted to create an alternate cover featuring reigning World Women’s tag champs The Hex—who, with their recent accomplishments, have quite palpably helped put women’s tag team wrestling back on the map. More on that in a moment …

While we ultimately decided to recreate this cover with an image of The Hex, we should extend credit for the idea to Matt Cardona, who has been campaigning for his own inclusion on the cover of PWI for months now. We outright acknowledged this in the Cardona feature in our June issue.

As we noted in our QRT reply, that’s not how this works, Matthew!

The issue escalated slightly when we informed Mr. Cardona that we wouldn’t submit to his demands. However, we pressed on (literally). After the issue was released, featuring Becky Lynch’s photo front and center, “The Broski” hit back with a new demand: that we release an alternate cover for the issue.

And here we are. While we agreed to Cardona’s request, we were quick to note that he never specified who or what should be on the cover. Enter The Hex, who, as mentioned above, is the subject of our latest “12 Questions” feature in the same issue.

In addition to not threatening us, vaguely or otherwise, Allysin Kay & Marti Belle made history last year by winning the newly reintroduced NWA World Women’s tag team title in a tournament final at NWA Empowerrr. Since then, they’ve gone on to wear tag team gold in prominent women’s promotions SHINE and Pro Wrestling: EVE in the U.S. and U.K., respectively. They’ve also defended the NWA tag belts proudly in the NWA, various independent promotions, and even overseas.

For that reason, we are thrilled to offer this free, digital-only download of our OFFICIAL Alternate Cover (same specs as our print magazine) for the June 2022 issue of Pro Wrestling Illustrated, featuring Kay & Belle with their World tag team title belts. Hope you enjoy the cover, champs!

CLICK HERE TO DOWNLOAD THE PDF COVER

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Corrections for PWI April 2022

Corrections for PWI April 2022

We have a few relatively minor, yet regrettable corrections to report for the latest issue of Pro Wrestling Illustrated.

Missing photo credits on page 60 and 61, respectively:

Good Brothers & Brandon Cutler (Lee South/AEW) Second Gear Crew (Earl Gardner)

Author byline on page 39:

Terry Funk (Brian R. Solomon); This error was fixed for the digital edition of the magazine.

As always, we greatly appreciate all of our contributors and do our best to make sure they’re properly attributed. My apologies, once again, for the errors in this issue. -K.M.

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FROM THE DESK OF … [A Plea To MJF]

Full spread (dual cover) of April 2022 PWI

FROM THE DESK OF … [April 2022 PWI; A Plea To MJF]

Full spread (dual cover) of April 2022 PWI
Back/front cover of PWI April 2022 issue

TEMPTING AS IT is to use this space to reminisce about 2021, that’s not what I’m going to do here. At the risk of seeming biased, I’ve instead got some things I’d like to say about Maxwell Jacob Friedman.

This year, MJF took home PWI’s notorious Most Hated Wrestler of the Year Award in what amounted to a landslide. He received more votes for Most Hated than any winner in any other category. He’s ably played his job as a villain, although he’s crossed a few lines that some of us wished he wouldn’t have. (That comment about Melanie Pillman? C’mon, Max.)

Friedman has made a choice to be detestable, and it’s mostly working out. As much as he claims to be “Salt Of The Earth,” he’s been pretty much untouchable in AEW. And, when I say “untouchable,” I mean that literally. Over the last 12 months or so, MJF has talked a much bigger game than he’s played, leaning heavily on his cohorts in The Pinnacle or, just as often, choosing not to compete at all.

And I get it. After all, it’s pretty easy to boast a high win-loss percentage when you take most weeks off from competition.


At press time, MJF has wrestled about a dozen-and-a-half times in 2021. Compare that with 2019, when he signed with AEW—and wrestled 84 matches. Sure, it’s important not to burn yourself out, but Friedman enjoys a relatively light schedule compared to the other “Pillars Of AEW.” For instance, Jungle Boy has wrestled 52 matches in 2021, as of this writing.

It’s certainly not because MJF can’t go. He’s in incredible shape; has remarkable stamina. He’s proven that he’s a great mat wrestler, showcasing technical ability that rivals his ego. His talents between matches—his vicious promos, his singing voice—are proof positive that he’s not only gifted, but willing to put in the work. And yet … he trades verbal insults far more than holds.

Deep down, I’m convinced MJF doubts his own merit. Though he appears confident, he’s taken shortcut after shortcut to win matches, and he’s made opponents, like Chris Jericho, jump through hoops merely for the chance to punch him in the mouth.

And that mouth. Whew! There’s no denying MJF has a unique ability to talk fans into seats, and foes into encounters they may not be quite ready for. The guy, for all his faults, has “Future World Champion” written all over him. But he’s not going to get there unless he allows himself to be vulnerable—to take the chance that he might actually get his butt kicked more often.

Max, if you happen to read this—and I have a feeling you might—please realize you won’t get where you want to be by coasting. Get out there and wrestle. Wrestle at least half as much as you talk. And rely on your actual abilities inside the ring. Because, at the end of the day, you’re good enough to be the star you already say you are. But, first, you need to get out of your own way.

Kevin McElvaney

Editor-in-Chief
Pro Wrestling Illustrated

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FROM THE VAULT: Baba and Vince Open the Forbidden Door

Giant Baba, Vince McMahon, and Seiki Sakaguchi pose together for a photo

FROM THE VAULT: Baba and Vince Open the Forbidden Door (updated 11/19/21)

VINCE MCMAHON. GIANT Baba. Together in the same ring. The 2,350 FANS in attendance at Korakuen Hall on January 28, 1990, were in for a big surprise. As recently as the early-1980s, McMahon’s WWF had enjoyed a solid relationship with All Japan’s biggest competitor, New Japan Pro-Wrestling. Suffice to say, no one was expecting Vince McMahon and Giant Baba to show up on the final day of AJPW’s New Year Giant series.

But that’s exactly what happened. On a show that saw All Japan Pro Wrestling founder Giant Baba defeat American journeyman Rip Rogers in a singles bout—along with the swan song of The British Bulldogs—no less than Vincent Kennedy McMahon made his way to the ring to address the crowd.

Vince McMahon waves to the crowd at Korakuen Hall, January 1990
Vince McMahon waves to the crowd at Korakuen Hall as Giant Baba looks on.

The above photo, along with the forthcoming photos in this entry, was sent to the Pro Wrestling Illustrated offices by a Japanese freelance photographer who asked us not to name them. This person specifically cited the fact that McMahon appeared in the photographs as the reason for their anonymity. Regardless, the veteran photographer seemed excited to share the photos in question.

As one might guess, Vince wasn’t simply in town as a tourist, opting to take in a show at one of Japan’s most historic combat sports venues. He was there on business. McMahon took the microphone and announced to the crowd that the WWF would be teaming up with not just AJPW, but NJPW, as well. The three promotions would come together to present the WWF/AJPW/NJPW Wrestling Summit.

Giant Baba, Vince McMahon, and Seiki Sakaguchi pose together for a photo
From left to right: AJPW President Giant Baba, WWF President Vince McMahon, and NJPW President Seiji Sakaguchi pose together for a photo.

The event, which emanated from the Tokyo Dome on April 13, 1990, was attended by more than 53,000 people. Despite not being released officially in the U.S., it was voted Best Major Wrestling Show in that year’s Wrestling Observer Awards. With an undercard that included a bout between Bret Hart and Tiger Mask, the show featured Andre The Giant and Giant Baba teaming up to take on Demolition, and the main event pitting Hulk Hogan against Stan Hansen.

Vince McMahon shakes Giant Baba's hand
Backstage at Korakuen Hall, Vince McMahon shakes the hand of Giant Baba.

In 2021, promotions are increasingly working together for the greater good. From the contemporary IWGP Conception, which saw NJPW copromote with Ring of Honor and CMLL, to the current, extensive interplay between AEW, IMPACT, the NWA, and other companies, cooperation is arguably one of the most exciting things about today’s wrestling landscape. Given WWE’s history of partnering with promotions overseas—and, later, giving visibility to upstarts like ECW and EVOLVE—is it really so hard to imagine the industry leader doing so once again?

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PWI Women’s 150 – Top 5 Revealed

2021 PWI Women’s 150 – The Top 5 Revealed!

As revealed by PWI Contributing Writer Kristen Ashly on the latest episode of Renee Paquette’s Oral Sessions, WWE superstar Bianca Belair is the #1 ranked wrestler in this year’s PWI “Women’s 150.”

The January 2022 issue of Pro Wrestling Illustratedavailable now for preorder—includes this year’s ranking in its entirety, plus special coverage of NWA EmPowerrr, Ring of Honor’s Quest for Gold tournament, and Ashly’s extensive “Hotseat” interview with Paquette.

Belair, who memorably main-evented this year’s WrestleMania against Sasha Banks, tops the list on the strength of that victory, her victory in the 2021 Royal Rumble match, and her prominent position on WWE Smackdown—along with a string of high-quality championship defenses and a remarkable win-loss record. Heading into her world title loss to Becky Lynch at SummerSlam, Belair had not lost a singles match since last December.

The number-two ranked wrestler, Utami Hayashishita, is a former runner-up for PWI’s Rookie of the Year award (2019). The reigning World of Stardom champion at the time of this writing, she is the highest-ranked representative of a Japanese promotion in the history of our annual women’s ranking.

Since its inception in 1979, Pro Wrestling Illustrated has been considered the world’s #1 professional wrestling magazine. And, 40 years on, we pride ourselves on covering wrestling as both sport and art form. Our annual women’s wrestling ranking, which is released each year after our much-discussed PWI “500” list, began in 2008 as the “Female 50.” As women began to take on a more prominent role in North American wrestling, the list expanded to become the “Women’s 100” in 2018.

The “Women’s 150,” which focuses primarily on the in-ring success of wrestlers competing in women’s divisions and promotions, is based on the evaluation period beginning October 1, 2020, and ending September 30, 2021. In order to qualify for the list, wrestlers must have competed in at least 10 matches or, if less than 10 matches, in six bouts in six separate months during the evaluation period.

Criteria for the “Women’s 150” list included:

  • In-Ring Achievement (championships, tournaments, win-loss record)
  • Influence (in one’s home promotion and the industry at large)
  • Technical Ability
  • Breadth and Quality of Competition
  • Activity

For posterity, here are the top five wrestlers ranked in this year’s “150” issue:

  1. Bianca Belair
  2. Utami Hayashishita
  3. Deonna Purrazzo
  4. Britt Baker
  5. Thunder Rosa

CLICK HERE to preorder the print edition of our January 2022 “Women In Wrestling” issue, which contains the “Women’s 150” list in its entirety. It ships out to subscribers soon, followed by internet preorder customers. The magazine will be available on newsstands beginning November 9, 2021.