Author: Kevin McElvaney

What’s The Deal With The Weekly Ratings? — PWI’s Weekly and Monthly Top 10 Lists Explained

FOR ABOUT AS long as we’ve been compiling weekly and monthly wrestling ratings—online and in our magazines—we’ve been asked about the criteria used for determining them. How do we narrow each roster down to a top 10? And, for that matter, how do we choose who ranks in the overall categories?

As with our annual rankings, such as the PWI “500,” the individual rankings are primarily based on what goes on between bells and between the ropes. Per our official ratings page:

Some of those criteria are clearer than others. Championships held and defended, as well as wins and losses, are objective metrics. Push is a little more squishy and subjective, as what constitutes a push (or momentum, influence, etc.) will vary from promotion to promotion. Technical ability is another pretty tenuous way to evaluate a wrestler, even if there’s a general consensus about what solid move execution might look like. And, as we know, this is not always the case.

Evaluation becomes even trickier when comparing wrestlers from across promotions, as we do with our top three categories (Heavyweight, Women’s, and Tag Team rankings). That’s a big part of why we have a weekly and monthly ratings committee, along with a team tasked with putting together our triad of annual rankings.

When people ask how we compile the PWI “500,” I like to tell them that we’re using objective metrics, but evaluating those metrics as subjective human beings. Yes, we’ll look closely at win/loss records and lengths of championship reigns. But we’re not running some formulas through a computer programmed to spit out the list. Instead, we try to take into account the meaning behind the numbers—what they represented within a promotion and the industry at large. Randy Orton may have a poorer win-loss record than his AEW equivalent, but he may have main-evented more shows, faced tougher competition, and put on better matches.

Historically, we placed a great deal of weight on WWE’s place at the mountaintop. And, to some degree, we still do. The company is the industry leader throughout the world, and it will likely continue to be for quite some time. But, as a publication that has always viewed wrestling as a sport, we’ve also noted some changes in how it’s being presented. We’ve even expanded our definition of what constitutes a world championship.

The COVID-19 pandemic has leveled the playing field somewhat in that regard, making it so that WWE talent didn’t automatically wrestle dozens more matches (especially televised ones) than any other American talent. Additionally, streaming services like IWTV and WRESTLE UNIVERSE have greatly expanded the influence of independent and international pro wrestling. These changes are all reflected in our ratings.

All of these things are taken into consideration with our weekly and monthly ratings. After all, the “500,” “Women’s 100,” and “Tag Team 50” are, essentially, annual extensions of those regularly updated top 10 lists.

One fairly recent change to our rankings is the blurring and blending of gender lines. Previously, women would only appear on the overall Women’s Top 10 list. In more recent years, women have crossed those imaginary lines and thrived. Some have won heavyweight titles traditionally associated with men. Meanwhile, women’s tag team wrestling has become far more prominent, between WWE’s introduction of multiple tag championships, the revival of the Knockouts tag team belts, and the efforts of promotions like Japan’s World Wonder Ring Stardom.

As those wrestlers have thrived, PWI has tried to recognize their efforts. The “500” is once again open to women who compete in intergender matches, and our tag team rankings are no longer segregated by gender. Since opportunities for women are still fewer, we’ve opted to continue with our overall Women’s rankings, with the caveat that they focus more on women’s divisions and promotions than on any intergender competition.

Is this a perfect system? Surely not. And it’ll likely continue to evolve as the old ways do. In the unlikely event that promotions like WWE, AEW, New Japan, and Lucha Libre AAA get rid of gender distinctions, we would almost certainly follow suit. Until then, we’re doing our best to reflect the current state of the industry.

To that end, we’ve continued to grow our weekly and monthly ratings by adding new categories. For example, we list the top 10 contenders to the IWTV Independent Wrestling World title and have recently added an official countrywide ranking for Australia. If you have any suggestions for our ratings page, feel free to drop me a line at pwi@kappapublishing.com.

“Punk Appears Or We Riot” (Metaphorically)

LOOK … CLICKBAIT HEADLINES aside, I’m not suggesting that fans will actually riot at a wrestling show in the year 2021. But the hype surrounding this Friday’s edition of Rampage—the follow-up to last week’s celebrated series premiere—has officially reached a boil. And, much as I don’t expect actual, physical unrest at the venue, All Elite Wrestling had better deliver what fans expect, or the company is going to have one upset fanbase on its hands.

Let’s take a look at the facts, shall we? The show is in CM Punk’s hometown of Chicago. The United Center holds 23,500. That’s an awfully big venue for a one-hour show in which nothing of note happens. And the fact that so much hype surrounded the announcement of the live event is another tip in the direction that the rumors are, in fact, true.

If Punk shows up on Rampage, this will be his first official wrestling appearance since his 2014 WWE departure. Even at his most popular, the former world champion was not everyone’s cup of tea. But, for the thousands of fans who still chant his name at WWE live events, his returning to the ring would be a very big deal.

Of course, AEW hasn’t merely let fans quietly speculate about Punk’s rumored return. Instead, the company has doused gasoline all over the proverbial fire. The most obvious example has to be Darby Allin’s on-air willingness to fight “The Best In The World.” But there have been other hints.

It’s safe to say that more than a few fans purchased tickets for Rampage who may not otherwise have done so. Add to that the countless wrestling enthusiasts planning to stay in this Friday night to catch the second episode of AEW’s second cable series live, as it airs. Suffice to say, those folks wouldn’t take kindly to all this hype being for naught. The goodwill that has been earned through a particularly strong stretch of programming—one that saw Dynamite averaging more than one million viewers per week—could easily be squandered.

In other words, if Punk doesn’t show up this Friday night, the company had better have something else in store, whether that’s a major title change, a huge storyline development, or another game-changing debut (Daniel Bryan, anyone?). While it’s perfectly fine to tease debuts or dream matches, this is a critical point for AEW. As the company continues to grow, reputation is important. And the last thing fans want to see is a bait-and-switch of this size.

Of course, this is all speculation at the moment. But one thing is for sure: Between Kenny Omega, Christian Cage, and Adam Page, things are already pretty crowded near the top of the card. The addition of CM Punk would make the main-event scene on Dynamite that much more competitive.

And, honestly? That might be a good thing.