Pandemonium Pro Wrestling’s Exciting Evolution
TEXT BY JASON McVEIGH
“IT’S PANDEMONIUM!” THESE were the iconic words often uttered by the late, great Gorilla Monsoon when things on WWF television kicked up a notch. And while Gorilla, sadly, isn’t with us any longer, “Pandemonium” can still be found in the wrestling business. In particular, we see it on the West Coast, where a new promotion has adopted the moniker as a catch-all description for the action it offers.
Pandemonium Pro Wrestling is a Los Angeles-based wrestling promotion that debuted in 2021. In recent months, it has gotten increasingly serious about offering a product that captures the cinematic elements of Hollywood blockbuster films and merges them with professional wrestling. If you think of Lucha Underground and Wrestling Society X, then you are on the right track.
The growing company features competitors from all over the world, from West Coast sensations like Kidd Bandit and the promotion’s current Gen Z champion, Wicked Wickett, to notable talent from major companies such as AEW’s Fuego Del Sol, IMPACT Wrestling’s Alan Angels, NJPW’s Yuya Uemura, and even former WWE Intercontinental champion John Hennigan (performing here as “Johnny Hollywood.”
The mission and vision, as laid out by the promotion itself, is for Pandemonium Pro Wrestling to showcase the talent of Los Angeles and the surrounding counties and place them into an environment with the cinematic feel of a Marvel film.
“Professional wrestling is one of the highest forms of performance art in the world,” noted PPW director/editor/wrestler, Kidd Bandit. “We wanted a company that departs from the sports-based presentation of pro wrestling and focuses on its parallels with a stage-play spectacle.”
This more theatrical approach can even be seen in the job titles given to the key people behind PPW. In addition to Bandit, the company lists Asan Washington as its CEO and Executive Producer and camera operator Hoby Lasko as its Cinematographer.
“We put a lot of emphasis on the larger-than-life personalities, the cinematography of the action, and the narrative of the stories,” said Bandit. And it’s this focus on production and visual elements that may help the promotion stand apart from the pack on a crowded indie scene.
Holiday in Hollywood marked the IWTV debut of PPW, and it was featured as our “Spotlight Card” in the January 30 edition of the PWI Weekly. The event, filmed on December 4, 2022, at the Jaxx Theatre in the heart of Hollywood, was a blend of everything that makes Pandemonium Pro Wrestling one of the hottest tickets in Tinseltown. From the high-impact fast-paced action of the opening lucha bout between Serpentico and Wicked Wickett to the impressive showcase of NJPW’s Young Lions, The DKC and Yuya Uemura, Holiday in Hollywood had a little something for most wrestling tastes.
The main event of that show was The Hollywood Classic: a hyper-competitive ten-person gauntlet match for the “Ticket To Hollywood” contract. Ishmael Vaughn won the contest, earning a future shot at either the dotTV championship or the Gen Z championship at any time.
With a broadcast deal that sees the product showcased on IWTV, Pandemonium Pro Wrestling is rolling ahead toward another big show on March 29.
“Our next event is called ‘dotTV Vol. 4: Best Damn Thing,'” revealed Kidd Bandit. “It will be headlined by the Rumble Riot Match for the Pandemonium Pro championship, as well as a dotTV title bout between Johnny Hollywood and Masha Slamovich. And the whole thing will be available for viewing on IWTV VOD.”
To paraphrase Horace Greeley, if you are looking for something a little different in the wrestling sphere right now, go West, young person! Because, in Hollywood, it’s Pandemonium out there.
